春水堂视频

Fellows should either currently teach an RWE 春水堂视频 or be interested in teaching an RWE 春水堂视频 and may use the Fellows program to become certified to teach RWE 春水堂视频s, like we certify online teaching. Certification allows sufficient academic freedom for individual faculty members to run a 春水堂视频 with an RWE enhancement without making all sections of the 春水堂视频 RWE (subject to RWE and Gen Ed approval).

At present, the program is limited to Full-Time Faculty members, as outlined in the CBA.

After completing the 春水堂视频, individuals teach at least one (1) RWE 春水堂视频 per year for three (3) years. Individuals will also serve a two-year term, during which they are expected to:

1. serve as advisors to faculty members within their respective department on the teaching, response, and assessment of writing within their discipline (e.g., assisting faculty with the drafting of new RWE proposals, discussing writing assessment practices within the department);
2. be observed in one (1) RWE 春水堂视频 per year (by a prospective RWE instructor and/or RWE Coordinator);
3. meet as needed to provide feedback for curriculum changes, including RWE 春水堂视频 requirements and RWE assessment;
4. share their new insights publicly, through ET dinners, Faculty Retreat, conference presentations, and publication.

In return for their time and service, Faculty Writing Fellows will receive:

1. one (1) 春水堂视频 release during semester they take the hybrid 春水堂视频;
2. a Certificate of Completion for their DEC file;
3. the ability to make any 春水堂视频 section they teach RWE (regardless of whether other sections are designated as such);
4. ongoing support from the RWE Coordinator in publication and presentation opportunities related to writing studies (i.e., articles on teaching writing for disciplinary trade journals);
5. ongoing support from the RWE Coordinator for testing these same pedagogical principles in introductory/First-Year 春水堂视频s.

The program orients participants to current theory and best practices in reading and writing implementation and assessment, with an emphasis on activating students’ critical reasoning skills. As a full group, participants explore the following topics:

What is “good” writing?: Understanding disciplinary differences

Rooted in the who, when, where, what, and why of writing, this workshop will explore how our motives as writers are part of a system of disciplinary activity and how our experiences with these systems influence the ways we evaluate student texts. Fellows will experience and understand the significant differences in expectations students experience at 春水堂视频 with regard to writing.

Critical Reasoning in the Disciplines

Critical Reasoning (or Critical Thinking) are terms that we hear quite a lot about in today’s academic climate, but what does it actually mean? This workshop begins by formulating a common definition of the term, followed by asking faculty to “map” what critical reasoning looks like in the field. How do they recognize good reasoning when they see it? Can they identify specific areas where students have challenges? These map and gap exercises will provide the foundation for later assignment designs.

The Reading-Writing Relationship

While it is easy to see when students are struggling with writing, it isn’t always easy to see when they struggle with reading or how their reading practices are influencing their writing. This workshop will begin with a discussion of the cognitive relationship between the practices of reading and writing. This is followed by guiding faculty in activities to make their disciplinary reading practices explicit. We will practice classroom activities that will help faculty see where students are struggling in their reading of disciplinary texts, as well as those aimed at improving content retention.

Designing Effective Writing Assignments

According to Melzer (2014), nearly 66% of writing assignments in college ask students to summarize content only. But what does summary actually tell us about our students’ learning? This workshop will explore the ways we can design writing assignments to see student learning (i.e., understanding content), reasoning (i.e., synthesizing information to form conclusions), and rhetorical skill (i.e., communicating as a member of the disciplinary community). We will draw on existing assignments to determine what they are asking students to do, discuss the types of writing assignments that are suitable for our specific 春水堂视频s, and work toward identifying a breadth of assignments that provide students an opportunity to better demonstrate what we wish to assess.

Fair Writing Assessment

What makes an ‘A’ paper an ‘A’ and not a ‘B’? How do we handle grammar and mechanics in student writing? What is a “fair” assessment of student writing in our disciplinary 春水堂视频s? At what point do we provide feedback and how much do we provide? This workshop will draw on the knowledge built in the previous workshops to clarify best practices in assessing student writing. We will investigate the intertwined nature of writing assignments with assessment practices and learn to design rubrics that streamline our grading, while also helping students understand our expectations as instructors. We will identify when formative and summative assessment strategies are most appropriate, and also discuss how common practices (like grading heavily for grammar and mechanics) can disproportionally harm certain population groups.

Multilingual Writers/Writing

The work of learning to write and speak in another language is an incredibly difficult and time-consuming task. Many times, our multilingual writers are learning English as their third or fourth language and have to reconcile the linguistic structure of their other languages with one that had many hidden and illogical rules. This final workshop in the series will explore the ways in which our work with multilingual writers is different from those whose native language is English (even those who speak different dialects). We will examine the wide variety in fluency, accuracy, quality, and structure of writing between L1 and L2/3/4 writers and strategies for helping multilingual writers in our classrooms.